Is design a horse, a rabbit or a bird, why?
I see design as a bird — free, agile, and light. The quality of space is what I constantly pursue. There's an old Chinese saying, 'The sky is high, and birds are free to fly', which perfectly captures this idea. The greater the space, the broader the possibilities for design.
Which city do you live in, and why should designers visit?
I live in Beijing, China, an ancient city with a rich and storied history. As a designer, I can draw inspiration from the patterns on vases crafted centuries ago. Here, we can reflect on the past while engaging with the present, using history as a mirror to appreciate the wisdom of those who came before us.
How do you adapt through feedback without compromising your vision?
I believe that any feedback from the client is valid and ultimately beneficial to my design. Differences in opinion usually stem from differing perspectives and positions — it's a conversation between two 'rights', not a debate between right and wrong. I'm skilled at finding the balance between these viewpoints to refine and enhance my work.
What new ideas have you been investigating recently?
In recent years, I've been particularly interested in the application of robotics and artificial intelligence on stage, whether by integrating robots into performances or enhancing safety during construction. Another area that fascinates me is 3D printing technology. I imagine creating a stadium-scale stage where everything is brought to life through real-time 3D printing, turning the entire performance into a dynamic act of creation.
